Annemarie is a Dutch artist based in San Diego (USA) whose work is rooted in an analytical, interdisciplinary approach. After a decade as a fashion designer, she turned to ceramics in 2020, following a long-standing passion for the material. Her practice spans functional objects and sculptural forms, exploring the tension between utility and contemplation.
Artist Statement
Working primarily with clay, I continually explore how form and utility converge. My functional work is largely made through slab building, an approach influenced by my background in fashion design. This process allows me to translate two-dimensional drawings into three-dimensional forms. My style is contemporary and minimalist, defined by bold shapes and tactile, rough textures.
I am drawn to the tension between the familiar utility of functional objects and the evocative qualities of sculptural forms. In use, my pieces encourage sensory engagement—when lifting a cup, lips search for purchase among the soft matte black knobs, inviting exploration beyond function. In this way, I aim for the objects to become experiences of appreciation and personal connection, rather than mere observation.
Beyond functional objects, my sculptural practice addresses broader conceptual themes of perception, self-identity, and existential inquiry. Through a reflective process, I seek to deepen my understanding of myself and the world. I aspire to create works that are not only visually compelling but also confront viewers with the more somber aspects of life. These pieces step away from utility, opening space for recognition, reflection, and dialogue around shared human experience.
Moving between these two facets of my practice allows me to shift fluidly from the intimacy of daily use to the depth of sculptural examination. While my sculptural works investigate profound themes of existence and our surroundings, my functional pieces emphasize thoughtful design, balancing aesthetic appeal with practicality. This dual focus invites people to engage with ceramics not only as functional objects but also as contemplative forms that connect us to ourselves and our environment.